At first, I
thought A Better Life was basically a
Latino version of Boyz ‘N the Hood. There
are some similarities between A Better
Life and Boyz ‘N the Hood. Both
portray nurturing, stable relationships between a father and son who are trying
to navigate life in crime-ridden, inner-city Los Angeles.
A Better Life is almost biblical in scope, portraying the “promised
land” of America and the struggles and sacrifices that the pilgrims who are
trying to get to the promised land endure.
At the center of
the story is the relationship between Carlos (Bichir), an earnest, hard-working
undocumented Mexican immigrant who toils as a day laborer and his teenage son, Luis.
The son is played by first-time actor José Julián, who turns in a realistic, understated
performance that earned him a Young Artist Award nomination from the nonprofit
Young Artists Association.
At first, there’s a major generational and cultural gap between the
more traditional Carlos and the Americanized Luis. But father and son draw
closer and band together when tragedy strikes. In a scene toward the end of the
movie, Bichir proves why he earned the Oscar nomination during a tear-jerking speech
in which he movingly answers a question his son asks earlier in the movie: why he
had him, and why poor people, in general, have children.
A Better Life
shines a light on so many issues that continue to affect this country: the fact
that many undocumented immigrants are honest people who just want a better life
(as the title indicates) for their children. Out of desperation, undocumented
immigrants sometimes resort to difficult choices that can have devastating
consequences. The movie raises many complex questions and doesn’t offer easy
answers, just shows everyday people and the dilemmas they face.
The movie also portrays how the children of immigrants often lose
touch with their roots, refusing to speak their parents’ native language and becoming
almost completely Americanized.
It’s amazing that A Better
Life so accurately captures the immigrant experience, but was not directed
by an immigrant. The movie was capably and conscientiously directed by Chris
Weitz (About a Boy), a white American. (Indie movie buffs may remember Weitz, who started out
as an actor, from his role in the cult comedy Chuck and Buck.)
In the DVD commentary in one of the deleted scenes, Weitz offers a
profound comment on race relations: “People are just people,” he says. “There
is a world in which white folks and Latinos and African Americans understand
each other, live with each other, eat with each other…”
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